论中国现代小说中的“出走”题材小说

On the"Runaway"Pedigree in Modern Novels of China

在社会启蒙占主导地位的五四语境中,对中国传统文化的反叛也自然成为重要的时代风向,而其中对于传统的“家”文化的突破在当时受到大部分人的关注。新思想的觉醒和时代的突变促使人与“家”的冲突逐渐明晰,从而形成了个体对“家”的出走意识,“出走者”的形象也随之产生和衍化,并从其发展中透视出了一种“出走”脉络。但这并不能仅仅归功于五四的启蒙话语,其在二十年代到四十年代的发展有着更为多样复杂的阐释。

In the context of May 4th,where social enlightenment dominates,rebellion against traditional Chinese culture has naturally become an important trend of the times,and the breakthrough of the traditional"home"culture attracted the attention of most people.The awakening of new ideas and sudden changes in the times have gradually made the conflict between people and"home"gradually,and thus formed the individual's consciousness of leaving home.There is a"runaway"context.But this can't be attributed to the Enlightenment Discourse of the May Fourth Movement.Its development from the 1920s to the 1940s has a more diverse and complex interpretation.