摘要
从知识考古学视角来看,《考工记》开创了中国最早有关工论的知识书写范例。它聚焦于东周社会边缘的、异质的与非连续性的工匠知识,整合了非连续性的知识片段,进行了东周工匠知识书写的异质性转换,展示了东周知识书写的智慧,创生了一种知识考古学意义上的“考工记”书写模式。对此研究,或能增益于当代中国特色设计学话语体系建构,有益于知识生产的方法论拓展。
In the perspective of archaeology of knowledge,Kaogong Ji is the earliest paradigm of knowledge writing on technology in China. This book is focused on the peripheral,heterogeneous and discontinuous crafts knowledge in the Eastern Zhou Dynasty,integrating the discontinuous knowledge fragments so as to conduct the heterogeneous transformation of crafts knowledge writing in the Eastern Zhou Dynasty. This book displayed the wisdom of knowledge writing in the Eastern Zhou Dynasty and created a writing mode of"Kaogong Ji"in the sense of archaeology of knowledge. Our study on this book may contribute to the construction of the discourse system of design with Chinese characteristics,as well as to the expansion of the methodology of knowledge production.
作者
潘天波
Pan Tianbo(the Institute of Advanced Study of Humanities and Social Sciences,Shaanxi Normal University,Xuzhou,Jiangsu,221009)
出处
《民族艺术研究》
CSSCI
2020年第4期102-110,共9页
Ethnic Art Studies
基金
国家社科基金重点项目“中华工匠制度体系及其影响研究”(项目批准号:18AZD024)的阶段性研究成果之一。