相浸艺境 同聚经典——两部舞蹈作品的舞美设计体会

Immersing the Art Scene and Gathering the Classics Together-Experience in the Design of Two Dance Works

舞台视觉设计的第一切入点往往是"正常"的视角同时坚守着线性的思维逻辑。通过对《艺境》与《向前进,向前进》两部时间跨度大且风格鲜明的舞蹈作品设计过程的反思,分析得出"观念视角"的决定性作用。作为舞台视觉设计者,要试着从固有的模式中走出来,从正常的时空逻辑中抽离出来,去呈现舞台的独特和美丽。

The first entry point of stage visual design is often "normal" perspective while adhering to linear thinking logic. Through the introspection of the design process of the two dance works Art Scene and Forward, Forward, the decisive role of "concept perspective" is analyzed. As a stage visual designer, we should try to get out of the inherent mode, from the normal space-time logic, to present the unique and beautiful stage.