摘要
通过整理2019 iSTAN国际学术周的内容,阐述了舞台美术再创造关键在于打破其中的壁垒,突破舞美从业者职业身份、作品的文本限制,打破观演、从业者内心壁垒等。
By summarizing the contents of the 2019 iSTAN International Academic Week, this paper illustrates that the key of stage art re-creation lies in breaking through the barriers, such as beyonding the professional identity of practitioners and the restrictions of text works, breaking the walls between the show and the audience,or the walls built up in practitioners’ hearts.
出处
《演艺科技》
2020年第6期72-75,共4页
Entertainment Technology
