摘要
情感/家庭剧从日常生活角度,以隐秘的方式复制强化和再生产父权制的种种性别规范,其再现的性别关系常常带有主导意识形态的特点。父权制跨越历史,与新自由主义经济结合,重构当下的性别图景。儒家父权制下的家国同构和内外有别,新自由主义经济和公私领域,以及男女有别的性别政治,是三个可以相互交叉使用的批评向度。借助这些方法,通过对家庭剧进行具体而微的分析,可以揭穿性别政治的文化“镜像”,展示传统父权制结构如何嵌入当下的生产关系,悄然无声地发挥着主宰作用。
TV series of urban love and family have made a copy of,strengthened and reproduced various patriarchal gender conventions in an invisible way from the perspective of daily life and their gender relations have been featured with predominant ideology.Patriarchy can be combined with the neoliberal economy to reconstruct current gender landscape.The Confucius style and patriarchal concept on harmonious development of family and country and differentiated treatment of people on one's side and those on the oth liberalism er side,the neoliberal economy and public&private sphere,and differences between men and women in gender-based politics are three intersecting analytical dimensions.With a focus on these methods and thorough analysis of family-oriented TV series,the article aims to uncover cultural filter embodied in gender-based politics,show the integration of traditional patriarchal structure with current production relations,and explain their leading role in a secret manner.
出处
《中华女子学院学报》
2020年第5期74-80,共7页
Journal of China Women's University
关键词
情感剧
儒家父权制
新自由主义
性别政治
TV series of urban love
Confucius patriarchy
neo-liberalism
gender-based politics