科尔泰斯戏剧语言的时空构建——文本解读《森林正前夜》《西岸》《孤寂在棉田》

The space-time Construction of B.M.Koltes’Theatrical Language——An Interpretation of The Night just before the forests,West Wharf and In the Solitude of Cotton Fields

科尔泰斯被西方公认为当代戏剧语言大师,本文通对过科氏在不同阶段创作的三个体裁和题材各异的剧本《森林正前夜》《西岸》《孤寂在棉田》的文本分析,解读这位法国当代剧作家既质朴口语又凝练诗意的戏剧语言特色,揭示他一戏一格的文本形式与主题内容的贴切融合。无论是通篇没有一个句号的独角戏,还是8个人物多重视点的悬疑故事,或是无剧情的双人对谈,每个剧作的文本语言自身就是其戏剧时空的构建元素和制造材料。他将行动融进语言,精心构建的戏剧时空极为灵动,也不乏电影色彩。

B.M.Koltes is recognized as a master of contemporary theatrical language in the West.By analyzing his plays The Night Just Before the Forests,West Wharf and In the Solitude of Cotton Fields,this article tends to highlight the strength of his theatrical language that is simple and full of poetry,as well as reveal the integration of theme and text form of"one drama,one style"in his plays.Whether it is a monologue without a full stop,a suspense story from eight characters multiple perspectives,or a dialogue between two people without a plot,the language of each play is the basic element and material of its theatrical space-time.He integrates action into language,making his theatrical space-time so free and cinematic.