科尔泰斯的审世情怀

Koltes’Gaze to the World

科尔泰斯不断地讲述疯狂产生的灾难,将谋杀置于作品的中心,捕捉死亡本能的各个方面,呈现乱伦、强奸、放火等各种形式的侵犯,以强调其摧毁力。其天才之处就在于恢复了在上世纪50年代新戏剧之后就被认为消失了的伟大悲剧。科尔泰斯带着审世情怀看其周围的世界,一个欲望的法则取代了康德绝对命令1的混乱世界,每个人只想着支配别人,伤害至死;正是通过这样的审视科尔泰斯重新给与戏剧生气。

Koltes constantly narrates the disasters generated by madness,places murder at the heart of his play and tracks down the death instinct in all its aspects,represents all forms of transgression,such as incest,rape,pyromania,to underline the destructive force.His genius is to have restored the great tragedy that we believed to have disappeared forever after the New Theater of the 1950 s.It is through the clinician’s gaze that he wears on the world around him,where each one dreams only of dominating the other,of wounding him to death,a chaotic universe where the law of desire has replaced the Kant’s categorical imperative,that he has breathed new life into the theater.