摘要
在宋、金、元交替的动荡政治格局下,高丽汉诗长安形象呈现出浓厚的政治意味,并逐渐成为文学语境中象征文化优越地位的符号;伴随着朝鲜时期学习、推崇唐诗的热潮,朝鲜文人在接受唐诗长安意象的同时,进一步促进了长安文学形象的创作,并出现了以"长安"指代明朝首都的作品。此外,长安形象已经融入高丽、朝鲜的风俗与文化,这一过程丰富了东亚长安形象的内涵与意境。
In the turbulent political situation of Song,Jin and Yuan Dynasties,the image of Chang’an in Goryeo Chinese po-etryshows a strong political significance,and gradually becomes a symbol of cultural superiority in the literary context.With the upsurge of learning and advocating Tang poetry in the Joseon period,Joseon scholars,while accepting the image of Chang’anin Tang poetry,further promote the creation of Chang’an’s literary image.At the same time,poem with the image of"Ch ang’an"refers to the capital of the Ming Dynasty has appeared.In addition,the image of Chang’an has integrated into thecustoms and culture of Goryeo and Joseon,enriching the connotation and artistic conception of the image of Chang’an in East Asia.
出处
《西安外国语大学学报》
CSSCI
2020年第3期11-15,共5页
Journal of Xi’an International Studies University
基金
陕西省社会科学基金项目“长安与韩国古代文学关系研究(项目编号:2016J050)”
教育部人文社会科学研究一般项目“杜诗韩国接受史研究(项目编号:19YJC751022)”的阶段性研究成果。
关键词
长安形象
高丽汉诗
朝鲜汉诗
小中华意识
Chang’an image
Goryeo Chinese poetry
Joseon Chinese poetry
So-Jonghwa consciousness