论王安忆《考工记》的叙事美学

On the Narrative Aesthetics of Wang Anyi′s Kao Gong Ji

小说《考工记》是王安忆对其以往创作风格的一次反叛,叙事上有着独具特色的美学风格。在人物叙事上,背离常规的单身汉形象以及女主形象的缺席,打破了以往通过婚姻恋爱塑造人物形象的写作模式,是王安忆一次成功的反经验写作;在历史叙事上,于恢弘的历史事件中运用留白及语言的俭省,将叙述的节制发挥到极致,是一场读者与作者之间的默契;在情感叙事上,“一人一宅”成为时代隐喻的载体,隐喻一代人的精神危机和传统文化的没落。

The novel Kao Gong Ji is a rebellion by Wang Anyi to his previous creative style,and has a unique aesthetic style in narrative.In character narration,the departure from the conventional bachelor image and the absence of the heroine image breaks the previous writing model that shape the character image through marriage and love.It is a successful counter-experience writing by Wang Anyi.In historical narrative,the blankness and the frugality of language are used in grand historical events which bring the restraint of narration to the extreme.It is a tacit understanding between readers and authors.In emotional narrative,"one person and one house"has become the carrier of the metaphor of the times,metaphorizing the spiritual crisis and the decline of tradition culture of a generation.