话剧民族化构建中的戏曲意境美学借鉴与创新

Aesthetic Concept Reference and Innovation of the Traditional Opera in the Construction of Drama Nationalization

话剧作为外来的戏剧样式,它汲取了传统戏曲的合理因素,并取得了长足的进步,二者之间的关系更是经历了从“杂合”“融合”到“化合”的嬗变。然而,从文化意义上来讲,中国的文化底蕴和戏剧传统在现代话剧艺术中创造性体现、创新性延续,还未达到应有的“浸润其中”的程度和境界。戏剧界以话剧表演艺术的民族化构建诉求为导向,通过分析与探究戏曲意境的美学特征,一方面,倡导话剧艺术注重舞台语言、形体的美感与表现力,不断开拓与转变其创作观念与表演方法;另一方面,力求在话剧舞台上立象尽意,营造出以物表情、情理统一的诗化哲理,旨在使来自西方的话剧艺术与中华民族的审美心理产生更多深层的默契,真正使话剧成为我们民族的艺术。

Drama,as a foreign theater performance,has absorbed the reasonable factors of traditional opera and made great progress.The relationship between them has undergone the evolution from“hybrid”and“fusion”to“combination”.However,in a cultural sense,the cultural heritage and dramatic traditions of China are creatively embodied and innovatively insisted in the modern drama art,which has not yet reached the due degree of“immersion”.By analyzing and exploring the aesthetic characteristics of artistic conception of traditional opera,guided by the appeal of nationalization construction of drama performing art,the drama researchers,on the one hand,advocate drama art pay attention to the aesthetic feeling and expression of stage language and form,and constantly expand and change their creative ideas and performance methods.On the other hand,great efforts have been made to create a poetic philosophy of expression and emotion unity on the stage and to create a deeper rapport between the western drama art and the aesthetic psychology of the Chinese people,which can truly make the drama as the art of our nation.