浅析古陶瓷修复中残缺美的表达及现代启示

On the expression of incomplete beauty in the restoration of ancient ceramics and Its Modern Enlightenment

每当人们面对残缺的物品时总会感到遗憾,同时内心深处会对完美的事物有更多的期待。从美学的角度看,残缺和完整同样是构成美的一种形式,并且残缺在视觉上更具独特的形式感和震撼力,更能给人留下深刻的印象。残损古陶瓷造型虽然已残,但是在残缺美思想的指导下,保留瓷片的历史信息进一步完整器物形态、深化作品内容,经过修复的古陶瓷残而不废依然散发着光芒。这种基于残缺美的修复方式,在现代设计中可以被进一步利用和发掘,并更好地为现代设计所使用。

we always feel sorry when we are faced with incomplete objects,and at the same time,we have more expectations for the perfect things in our hearts.From the perspective of aesthetics,it can be seen that the incomplete and the complete are also a form of beauty,and the incomplete has a unique sense of form and shock in vision,which can leave a deep impression on people.Although the shape of damaged ancient ceramics has been damaged,under the guidance of the idea of incomplete beauty,the historical information of porcelain pieces should be preserved to further complete the shape of utensils and deepen the content of works.The restored ancient ceramics are still shining with their disability This repair method based on incomplete beauty can be further used and explored in modern design,and better used by modern design.