摘要
对白木概念及其基本文化特征进行探析。基于白木肌理解剖特征、感觉特性,讨论了白木狭义概念与广义概念;在白木广义概念范畴内,归纳了白木器物悠长的文化历程;以佛像用材从阔叶树材向针叶树材转变过程为线索,探讨了白木文化生成路径及其转折点;以观念文化为主线阐述了白木文化结构特征;基于此,比较了白木文化与红木文化特征之间主要差异。
In order to expound the concepts and basic cultural characteristics of shira-wood,in this paper,the narrow and broad concepts of shira-wood based on its anatomical and sensory characteristics were firstly discussed.In the broad concept of shira-wood,the long cultural history of shira-wood utensil was summarized.Based on the transformation process of the Buddha statues from hardwood to softwood,the generation path of shira-wood culture and its turning point were discussed.Taking concept culture as the main line,the structure characteristics of shira-wood culture was expounded.Finally,the main differences between shira-wood culture and rosewood culture were compared.
作者
赵广杰
ZHAO Guang-jie(College of Material Science and Technology,Beijing Forestry University,Beijing 100083,P.R.China)
出处
《林产工业》
北大核心
2020年第9期1-5,共5页
China Forest Products Industry
基金
林业科技成果国家级推广项目([2018]04号)
国家自然科学基金项目(5173641091)。
关键词
白木
肌理
白木文化
生成路径
器物文化
观念文化
Shira-wood
Texture
Shira-wood culture
Generation path
Utensil culture
Concept culture
