摘要
陈歌辛是中国早期流行音乐创作的重要人物之一,其创作重视对中国民族风格的追求,并通过表现题材、调式音阶、旋法等要素得以实现。相比同时期的其他作曲家,中西结合的创作模式在陈歌辛的歌曲中占有较大比重,亦不失其民族化追求。在较为纯粹的西方音乐风格的歌曲创作中,他还有意识地将欧洲古典、浪漫主义音乐及世界民族音乐的元素运用其中。陈歌辛既具有这一时期作曲家的共性,也由于其个体成长经历、生活环境、知识结构的特殊性而具有海派音乐的时尚都市风范、全面的艺术修养与音乐能力。同时在其创作中亦存有自我复制的雷同化模式等局限与不足。
Chen Gexin is one of the key figures in the early stage of Chinese pop music creation.In his works,importance is attached to the pursuit of Chinese national style,which is materialized through the expressive themes,modal scales,melodies,as well as other elements.In contrast to other composers of the same period,Chen's songs feature prominent integration of Chinese and Western composing styles,while his pursuit of nationalization is never absent in his works.In his efforts to create songs with pure Western style,Chen also consciously instills wherein elements of European Classical music,Romantic music and world folk music.Chen shares the common characteristics of the composers of this period,and due to his unique personal experience,living environment and idiosyncratic knowledge structure,he is also equipped with the style of Shanghai-school music,comprehensive artistic accomplishment and musical capability.However,there are some bottlenecks and deficiencies in his works,such as self-duplication.
出处
《星海音乐学院学报》
CSSCI
北大核心
2020年第3期25-35,78,共12页
Journal of Xinghai Conservatory of Music
基金
2016年国家社科基金艺术学一般项目“中国当代流行音乐创作的民族化研究”(16BD051)。
关键词
陈歌辛
流行歌曲
民族化
创作特征
中西结合
历史评述
Chen Gexin
Pop Songs
Nationalization
Creation Features
Integration of Chinese and Western
Historical Review