论“怨谱”说的诗教内涵及其成因

Views and the Causes of the Theory of Resentment Expressing Which Based in the Field of Tradition of Poetry Instruction of Confucianism

"怨谱"说是明代陈洪绶在评点《娇红记》时提出的一个创造性概念,但是,关于"怨谱"之"怨"的具体界定,有学者在不否认"怨谱"为孔子"兴观群怨"说引申的前提下,将"怨谱"说界定为悲剧说。虽然《娇红记》《琵琶记》等均通过谱写怨艾之情来生成悲剧因素,但陈洪绶、徐渭等评点者已经明确指出"怨谱"之"怨"与孔子"兴观群怨"之"怨"的内涵与外延基本相同,因此"怨谱"说并非悲剧说。另外,从评点者的真实用意及其所处的历史语境上看,"怨谱"之"怨"不仅没有超越孔子"兴观群怨"之"怨"的范畴,而且还有通过儒家的传统诗教理论来教化受众、提升戏曲地位等用意。

When prepared commentaries for The Tale of Jiao hong,a drama written by Meng Chengshun in Ming dynasty,Chen Hongshou raised a concept of creativity of The Resentment Expressing as the gist of the drama.On the natural meaning of this concept,some scholars gave their views in tragedy.Through the story structure of the drama was very close to tragedy,it was confirmed clearly by the commenter that the connotation and extension of this concept were basically the same with the Poetry Instruction of Confucianism,so it isn't tragedy.Moreover,the commenter hoped to achieve two objectives,one was to civilize the audience,the other was to improve the social position of drama.