复式图景与幽隐书写:杜甫草堂二字题诗探微

Intertextuality and Seclusion Tradition:Du Fu’s Two-Character Title Poem in Thatched Cottage Period

"二字题诗"是杜甫草堂时期突出的创作现象,其以两两之间、多首之间的互文性构成特殊的复式图景。从陌生到适应再到舍弃,二字题诗贯穿杜甫草堂生活的三个阶段,"幽隐书写"是其中不变的主题。杜甫的"幽隐书写"表现出对隐逸传统亲近和背离共存的特点,原因在于草堂生活既充满人间的欢欣与生趣,又充满贫困和战争的威胁;幽隐虽然能够暂时以"幽"之美、"隐"之理逃避精神困境的折磨,却不是杜甫的理想所在。

“Two-character title poem”is a prominent creation phenomenon in the period of Du Fu’s thatched cottage,which constitutes a special compound picture with the intertextuality between two or more poems.From strangeness to adaptation to abandonment,the two-character inscription runs through the three stages of Du Fu’s life in the thatched cottage,in which the theme of“secluded writing”remains unchanged.Du Fu’s“seclusion writing”shows the characteristics of being close to the seclusion tradition and departing from the coexistence:the life of the thatched cottage is full of human joy and interest as well as the threat of poverty and war;although the seclusion can temporarily escape the suffering of spiritual predicament with the beauty and the principle of“seclusion”,it is not Du Fu’s ideal.