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陈之佛工艺思想论

Chen Zhifo’s Craft Thought Theory
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摘要 陈之佛的图案与工艺学理论是在自身和他人丰厚的实践基础之上形成的。他主张将以服务人民生活为基础的实用性与审美原则相结合,认为传统工艺文化应加以传承、改造和创新,强调推陈出新、洋为中用,提出传承改造与发扬光大的工艺遗产发展观,倡导马克思主义的辩证发展与辩证统一的工艺史观。陈之佛工艺思想是中国近现代工艺设计现代性萌发的重要标志,陈之佛本人亦是中国近现代新兴工艺美术运动(工艺复兴运动)的重要倡导者和奠基人。陈之佛与时俱进的工艺思想标志着中国现代工艺自觉时代的到来,反映出传统工艺变革与现代设计影响的时代要求。 Chen Zhifo's pattern and technology theory is formed on the basis of his own and others'rich practice.He advocates the combination of practicability and esthetical principle based on serving the people's lives,considers traditional craft culture should be inherited,transformed and innovated,stresses that put forth new ideas and make foreign things serve China,puts forward the renovation and carry forward the tradition craft heritage development,advocates the dialectical development of marxism and the dialectical unification of technology history.Chen ZhiFo's craft thought is an important symbol of the modernity of modern Chinese craft design.Chen Zhifo himself is also an important advocate and founder of the new arts and crafts movement(the craft renaissance movement)in modern China.Chen Zhifo's thought of advancing with the times marks the arrival of the conscious era of modern technology in China,and reflects the requirement of the times for the transformation of traditional technology and the influence of modern design.
作者 李传文 Li Chuanwen(Fuzhou College Of Foreign Studies,Fuzhou 35000)
出处 《新疆艺术学院学报》 2020年第3期63-72,共10页 Journal of Xinjiang Arts University
关键词 陈之佛 图案 工艺美术 工艺史观 Chen Zhifo Pattern Arts and Craft History of Craft
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