摘要
以富源水族吞口为视角,从吞口的造型工艺、色彩、文化表现形式等多方面阐述在吞口视野下水族原始宗教的自然和谐审美意识,认为富源水族吞口与水族崇拜的原始宗教存在内在关联,水族原始宗教崇拜意识就是吞口传承发展、经久不息的源泉动力。当今时代,深入发掘水族原始宗教的自然和谐审美意识,能够促进云南水族少数民族地区发展,为云南水族地区提供更好的文献参考。
From the perspective of the Tunkou of the Fuyuan Shui nationality,this article expounds the natural harmonious aesthetic consciousness of the primitive religion of the Shui nationality from the perspective of the Tunkou from the aspects of the modeling process,color,and cultural expression of the Tunkou.There is an internal connection,and the consciousness of the primitive religion worship of the Shui nationality is the source of endless development and endless power.In today's era,deeply exploring the natural and harmonious aesthetic consciousness of the primitive religion of the Shui nationality is also promoting the development of the Shui nationality area in Yunnan,providing better documentation references for the Shui nationality area in Yunnan,and promoting socialist material civilization and spiritual civilization.
作者
张瑞
李秋蓉
ZHANG Rui;LI Qiu-rong(School of Art and Media of Kunming University of Science and Technology,Kunming 650504,China)
出处
《内蒙古民族大学学报(社会科学版)》
2020年第3期32-40,共9页
Journal of Inner Mongolia Minzu University:Social Sciences
基金
昆明理工大学人文社科研究培育项目“云南大理及楚雄地区传统手工艺与地方民族特色产品设计研究”(项目编号:KKZ3201855028)的研究成果。
关键词
富源水族
原始宗教
审美意识
吞口
Fuyuan Shui nationality
Primitive religion
Harmony of Nature
Aesthetic Consciousness
Tunkou