摘要
2018年,电视剧《北京女子图鉴》与《上海女子图鉴》先后热播并引起网友热议。本文对“女子图鉴”系列电视剧进行详细的文本分析,认为其中不仅仅反映出马克思的商品拜物教思想与卢卡奇的物化理论,更体现了一次象征界对事件的缝合过程。剧中对女性主体不断追求独立而自由的灵魂的言说,事实上乃是象征界接触物化危机的一种话语逻辑。
In 2018,the successively broadcasted TV series Women in Beijing and Women in Shanghai became a hit and attracted hot comments from netizens.In this paper,a detailed text analysis of the TV series of women portrait is carried out,maintaining that the two TV series not only reflect Marx’s commodity fetishism and Lukács’reification theory,but also embody a stitching process of the symbolic world.In the TV series,what the the female protagonists said constantly about the pursuit of independent and free spirit is in fact a discourse logic that touches the materialized crisis in the symbolic circle.
出处
《文学与文化》
2020年第3期53-60,共8页
Literature and Culture Studies
基金
天津市哲学社会科学基金项目“苹果视频广告的文化政治批判”(项目编号:TJZWQN17-003)的阶段性成果。
关键词
物化
象征秩序
主体
女子图鉴
Reification
Symbolic Order
Subject
Women Portrait Series