摘要
考察元代艺术学,不可忽视贯云石。从创作看,贯云石是元代散曲大家,但与此同时,他也是中国艺术学史上不可多得的批评家。长期以来,人们对身为创作者的贯云石多有研究,但对作为批评家的他则关注有限。立足当时文化语境,结合贯云石的论著及作品,就其不乏个性与特色、成就与价值的艺术批评思想进行透视和解读,对于研究元代艺术学以及中国艺术学有重要意义。
One person should not be neglected in the study of the art of the Yuan Dynasty,and that person is Guan Yunshi.Judging from his lifelong works,Guan is a master of sanqu in the Yuan dynasty,a type of toned verse derived from the folk music at that time.He is also a rare critic in the history of Chinese art.Guan has been studied as a writer for long,but somewhat neglected as a critic.Starting from the cultural context at that time and studying his works and criticism,this paper analyzes and interprets Guan's artistic criticism of his unique characteristics,achievements and values.This is of great significance for the study of art of the Yuan dynasty,as well as the Chinese art.
出处
《文学与文化》
2020年第3期122-130,共9页
Literature and Culture Studies
基金
国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”(编号:16ZD02)的成果。