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小说《大大方方的输家》中的双重陌生化书写

Double Defamiliarization Writing in the Novel Beautiful Losers
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摘要 加拿大犹太裔作家伦纳德·科恩的小说《大大方方的输家》被称为加拿大后现代元小说的先例,是后现代主义小说的代表。该小说运用了双重陌生化的表达技巧:一是形式主义下陌生化的人物形象和叙事方式,给读者带来与众不同的审美体验;二是实用主义下陌生化的历史与现实呈现,启发读者对加拿大的历史与现实进行深层次思考,保持理性批判。 The novel Beautiful Losers, written by Leonard Cohen, who is a Canadian Jewish writer, is called the precedent of Canadian postmodern meta-fiction and is the representative of postmodernism fiction. The novel uses the expression skills of double defamiliarization: one is the character image and narrative mode of defamiliarization under formalism, which brings readers a distinctive aesthetic experience;the other is the historical and realistic presentation of defamiliarization under pragmatism, which inspires readers to think deeply about Canadian history and reality and maintains rational criticism.
作者 黄敏 Huang Min(College of Foreign Language,Guangxi Normal University,Guilin Guangxi 541006,China)
出处 《宿州教育学院学报》 2020年第4期104-107,共4页 Journal of Suzhou Education Institute
关键词 伦纳德·科恩 《大大方方的输家》 双重陌生化 Leonard Cohen Beautiful Losers double defamiliarization
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