从林黛玉到梅兰芳:现代红楼文化传播与鲁迅的文化理性

From Lin Daiyu to Mei Lanfang:The Dissemination of Modern Red Mansion Culture and Lu Xun’s Cultural Rationality

在民国红楼文化思潮的生成中,鲁迅身处林黛玉形象的现代传播与梅兰芳红楼戏的大众接受之间。通过对书上的林黛玉及其社会影响的认知理性辨析,鲁迅洞见了红楼人物形象在民国社会语境下可能出现的文化内涵。鲁迅对民国流行文化中的梅兰芳黛玉旦妆照作出价值理性评估,由此质询中国民众独立的审美能力。鲁迅对梅兰芳戏曲的公开批判是中国现代知识分子表达文化公共理性的重要案例。鲁迅的文化理性表达将为我们理性建构本土文化话语、理性认识民族艺术提供新的反思。

In the formation of the cultural ideological trend of the Red Mansion,Lu Xun was between the modern dissemination of Lin Daiyu's image and the public acceptance of Mei Lanfang's Honglou opera.Through the cognitive and rational analysis of Lin Daiyu in the book and her social influence,Lu Xun had an insight into the cultural connotation of the image of Red Mansion in the social context of the Republic of China.Lu Xun made a rational evaluation of the value of Mei Lanfang’s photos dressing up as Daiyu in the popular culture of the Republic of China,questioning the independent aesthetic ability of the Chinese people.Lu Xun's public criticism of Mei Lanfang's opera is an important case of expressing cultural public rationality,which will provide us with a new reflection on the rational construction of local cultural discourse and the rational understanding of national art.