碑学审美视阈下吴昌硕的篆刻创新及其影响

Wuchangshuo’s sealcutting innovation and its influence from the aesthetic perspective of stele

在碑学审美视阈下,吴昌硕大胆追求“残破”,突破了以前篆刻审美窠臼,开创了大写意印风,可以说对“现代篆刻”的发展产生了重要影响。“现代篆刻”以美术观念为指导,着意于形式,摒弃了传统篆刻中的篆法与刀法,仅仅剩下靠观念设计的“章法”,若如此发展下去,我们的篆刻艺术发展令人堪忧。笔者认为,当代篆刻艺术的发展应该重新回到篆刻与书法紧密结合的主线上来。

From the aesthetic perspective of tablet art,wu changshuo boldly pursued broken art,broke the aesthetic pattern of seal cutting before,and created the style of freehand brushwork printing,which can be said to have exerted an important influence on the development of modern seal cutting."Modern seal cutting"is guided by the concept of fine arts,focusing on the form,abandoning the traditional seal cutting method and knife method,only relying on the concept of design of"rules".If this development continues,our seal cutting art development is worrying.The author believes that the development of contemporary seal cutting art should return to the main line of the close combination of seal cutting and calligraphy.