摘要
从三个不同角度剖析传统民间舞蹈在当代舞蹈舞台化走向下的发展模式:第一种类型是从传统民间舞蹈中汲取养分,对传统民间舞蹈中的典型性要素进行“抽离”,基本上这些典型要素可以分为动作形态的和文化内涵的;第二种发展模式是将传统民间舞蹈与当代文化背景下的产物进行融合,里面饱含着当代人的审美价值和艺术观念,还有一些传统民间舞蹈在社会资本的推动下,成为文化资本在当今社会进行发展生存;第三种传统民间舞蹈的生存方式是传统民间舞蹈与当代文化发展过程中产生相互契合之处,并以此形成的民族舞蹈文化的新认同,是传统民间舞蹈在当今社会不断发展下所形成的文化自觉。这三种生存状态均是当今社会不断发展下的产物,是受到整个文化生态系统影响后的发展选择。
The survival mode of traditional folk dance under the trend of contemporary stage dance is analyzed from the following three types.The first type is to draw nutrients from traditional folk dance and“pull away”the typical elements in traditional folk dance.Basically,these typical elements can be divided into action form and cultural connotation;The second is to integrate the traditional folk dance with the products under the contemporary cultural background,which is full of contemporary people's aesthetic values and artistic concepts.Some traditional folk dances,driven by social capital,have become cultural capital to develop and survive in today's society;The third way of existence of traditional folk dance is the mutual agreement between traditional folk dance and contemporary culture,which forms a new identity of national dance culture.It is the cultural consciousness formed by the continuous development of traditional folk dance in today's society.These three kinds of survival modes are the products of the continuous development of today's society,and are the development choices influenced by the whole cultural ecosystem.
作者
刘荔
LIU Li(School of Arts,Zhaotong University,Zhaotong 657000,China)
出处
《昭通学院学报》
2020年第3期61-65,共5页
Journal of Zhaotong University