摘要
哈罗德·布鲁姆作为序跋文体家的文化身份在其海量著作的数据统计与分析中得到发掘与凸显。而从定性的角度考辨,作为序跋文体家,布鲁姆有着独到的文体价值认知,清醒执着的文体自觉,卓有成效的文体生产,独特突出的文体贡献,其序跋开启了清新的文风,建构了自己的“第四种批评”文体,喜用“记忆书写”“小历史书写”“生活/生命情感叙事”,频用文学影响关系模式的叙写范式,批评观点和方法屡屡创新,同时还具有珍贵的文献史料价值。布鲁姆的序跋文体写作对于中国文学批评的文体重建具有重要的启迪价值与反思意义。
Harold Bloom’s cultural identity as a stylist of preface and postscript has been explored and highlighted in the data statistics and analyses of his massive works.From a qualitative point of view,Bloom has aspecial cognition of stylistic value,a clear and persistent stylistic consciousness,an effective stylistic production,and a unique and outstanding stylistic contribution.Both his preface and postscript open up a fresh style of writing,constructing his own "fourth criticism"style. He prefers using "memory writing","small history writing"as well as "life/life emotion narrative",and frequently uses the narrative paradigm of literary influence relationship mode to keep innovating his critical views and methods,which also has precious value of historical documents. Bloom’s writing of prefaces and postscripts is of great enlightening value and reflective significance to the stylistic reconstruction of Chinese literary criticism.
作者
曾洪伟
ZENG Hongwei(College of Foreign Languages Education,China West Normal University,Nanchong 637002,China)
出处
《外文研究》
2020年第2期40-46,106,107,共9页
Foreign Studies
基金
国家社会科学基金项目“20世纪英美文论著作英汉版本整理与研究”(15BWW007)。