摘要
徐怀中的新作《牵风记》荣获第十届茅盾文学奖。作品描述了刘邓大军千里挺进大别山的伟大进程,打破传统战争小说的宏大叙事模式,通过三个人和一匹马的传奇故事,展示了一道别样的战地风景,拓宽了战争文学的创作空间,体现作者对文学时尚的理性思考。从悲剧性的叙事形态、人道主义的叙事立场和诗意化的叙事风格三个方面对作品进行解读,有助于进一步挖掘作品的丰富内涵。
Xu Huaizhong's new work The Story of Leading the Wind won the tenth Mao Dun Literary Prize.This novel describes the great process of the army led by Liu Bocheng and Deng Xiaoping leaping forward the Dabie Mountains,breaking the grand narrative mode of traditional war novels.Through the legendary story of three characters and a horse,it presents a particular scenery of the battlefield and expands the creation space of war literature,reflecting the authors'rational thinking about literary style and independent writing style.This study tries to interpret the works from the tragic narrative form,the humanitarian narrative standpoint and the poetic narrative style,which helps to further explore the rich connotation of the works.
作者
李德慧
LI De-hui(School of Chinese Language and Literature,Liaoning Normal University,Dalian Liaoning 116000,China)
出处
《吕梁学院学报》
2020年第5期10-13,共4页
Journal of Lyuiang University
关键词
徐怀中
《牵风记》
战争小说
叙事艺术
Xu Huaizhong
The Story of Leading the Wind
war novels
narrative art