18世纪曼海姆乐派约翰·斯塔米茨交响曲研究--以“小步舞曲”乐章为例

Research on the 18th Century Mannheim School Stamitz Symphony--Taking the"Minuet"Movement as an Example

对18世纪中期曼海姆乐派代表作曲家约翰·斯塔米茨交响曲创作中“小步舞曲”体裁风格形成渊源,并结合其早、中、晚期交响曲“小步舞曲”乐章创作特征的分析,以此,确立约翰·斯塔米茨对古典交响曲四个乐章结构的形成所具有的贡献和历史地位。

This article intends to establish the contribution and status of Stamitz,a representative of the Mannheim School in the mid-18th century to the formation of the four movements structure of the classical symphony by tracing the origin of the formation of the style of"minuet"in his creation of the symphony and analyzing the creation characteristics of the"minuet"movement in his early,middle and late symphonies.