血映山河:反类型化的战争叙事——管虎访谈

Anti-Genre War Narrative:An Interview with Guan Hu,the Director of The Eight Hundred

这次访谈,不仅谈及人性在面对战争时的表现和主创在影片中仓库空间等特定情境下艺术表现的处理,也涉及导演作为第六代电影人对当代电影艺术的探索和责任担当的思考,以及影片的商业信誉和导演的内心抉择等问题,是一次全面涉及导演各阶段创作思想的探讨。对于《八佰》叙事视点的自我要求,对于反抗类型的个人化创作,使得主创在影片血火之中坚持自我的创作立场既具争议性,更具探索性。

The interview comprehensively involved the director’s various creative ideas in the film.It talks about the human nature in the war,the artistic technique in specific situations such as warehouse space in the film,and Guan Hu’s exploration and responsibility of contemporary film art as the sixth generation filmmaker.The director’s self-demand for the film narrative point of view and the anti-genre war narrative make the film’s individualized creation style more controversial.At the same time,there is a certain degree of thinking about the film commercial standing and the director’s inner choice.