摘要
罗艺军毕生为中国电影事业发展鞠躬尽瘁,他致力于中国电影民族化研究,是中国电影改革与发展的见证者和亲历者。罗艺军集领导、编辑与学者于一身,在电影管理、电影评奖、电影教育、电影评论等方面进行了开拓性探索,作出了卓越贡献,是中国电影理论批评的旗帜性人物之一。对罗艺军电影思想、电影理论批评足迹的再回眸,不仅是对中国电影、中国电影理论批评发展的再审视,也是当前构建中国电影学派、构建"共同体美学"的重要环节与重要内容。
Luo Yijun,a witness of the reform and development of Chinese films,has committed himself to the career of Chinese film and the study of the nationalization of film.He was also a leader,editor,scholar,and one of the banner figures of Chinese film theory criticism,who has made pioneering explorations in film management,film awards,film education and film review.Looking back on Luo Yijun’s film theoretical criticism is not only a reexamination of the development of Chinese film and Chinese film theory criticism,but also an important content in the construction of Chinese Film School and"Community Aesthetics".
出处
《电影艺术》
CSSCI
北大核心
2020年第5期111-117,共7页
Film Art
关键词
罗艺军
电影民族化
电影“洋务派”
中国电影学派
中国电影评论学会
Luo Yijun
nationalization of film
Westernization Film School
Chinese Film School
China Film Critics Association