摘要
全球化脉络下两岸电影的新实践,为重新阐释"中国"赋予更多的可能性。将"中国叙事学"作为研究台湾地区电影的方法论,即以"中国"(祖国)作为论述的预设或实践的场域重新检视台湾电影,将其"中国"符码转译出来,并以此为基础爬梳台湾地区电影中国议题想象、聚合与裂解的线索,从电影诸要素开掘台湾电影历史想象的深层结构,建构出一个以表现中国形象、表征中国语义、实践中国方法为支撑的话语体系,理出一条一脉相承、自成一体的中国脉络。
Under the context of globalization,the new practice of cross-strait film has given more possibilities to reinterpret"China".Taking"Chinese narratology"as a methodology for studying Taiwan Residents films means that"China"is used as a preset field to re-examine Taiwan Residents films.We need translate the hidden"Chinese"code,and on this basis,we comb out the clues of imagination,aggregation and cracking of Chinese issues in Taiwan Residents films.A discourse system supported by the expression of Chinese image,the representation of Chinese semantics,and the practice of Chinese methods is constructed,and a Chinese context that is inherited and self-contained is constructed.
出处
《电影艺术》
CSSCI
北大核心
2020年第5期124-129,共6页
Film Art
基金
教育部人文社科基金项目“台湾电影的中国叙事”(批准号:17YJA760060)阶段性成果。
关键词
台湾电影
中国叙事学
中国电影
Taiwan Films
The Chinese Narratology
Chinese Films