逼真的历史质感与诗意的情感体验——与曹郁谈《八佰》的摄影创作

Realistic Image Texture and Poetic Emotional Expression:An Interview with Cao Yu,the Director of Cinematography of The Eight Hundred

《八佰》是一首悲壮的史诗,在黑暗的最深处点燃了人性的光辉。在影片的摄影创作中,摄影指导曹郁通过还原历史情境的影像质感、现代派绘画风格的色彩基调、多重转换的视点调度,以及柔和、写意而富有冲突美感的光影处理,将观众带入到富有诗意的精神世界之中。正如《通天塔》结尾处写道:"最黑的夜,最亮的光",这正是曹郁对于《八佰》摄影风格的诠释,通过各种手段衬出苏州河北岸战争的残酷与凌厉,塑造出那夜里最耀眼的光芒。

The Eight Hundred,a solemn and stirring epic film,ignites the glory of human nature in the deepest darkness.Through the color tone of modernist painting style,the multiple transformation of viewpoint scheduling,and the soft,freehand and conflict aesthetic light and shadow processing,the director of cinematography Cao Yu restored the image quality of historical situation and brought the audience into the poetic spiritual world.