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中国共产党戏剧界统一战线工作研究(1927-1937)

Study on the United Front in the Theatrical Circle of the Communist Party of China (1927-1937)
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摘要 第二次国内革命战争(1927—1937)期间,中国共产党顺应部分戏剧工作者"向左转",要求建设具有鲜明中国民族特色现实主义话剧的要求,在引导促进戏剧工作者完成自身团结的前提下建立了以中国左翼戏剧家联盟为核心的戏剧界统一战线组织,并以剧联为核心,紧密团结工人、学生、城市小资产阶级等各社会阶级、阶层,以戏剧为武器突破国民政府当局的文化"围剿",戏剧界统一战线组织也成为了30年代左翼文艺界统一战线的重要构成部分,这一运动也推动了现代话剧在中国的民族环境中逐渐走向成熟。 Between 1927 and 1937,the second Revolutionary Civil War broke,during which some theater artists reflected a leftward shift in politics and proposed to create realistic drama with Chinese national characteristics.Under the premise of guiding and promoting the theater artists to strengthen their own unity,The Communist Party of China complied with their creation intention and established a united front organization in the theatrical world with the Chinese Left-wing dramatists’League as the core.On this basis,the Communist Party of China closely united workers,students,urban petty bourgeoisie and other social classes,and used drama as a weapon to break through the cultural encirclement and suppression of the Kuomintang authorities.These left-wing theater artists became an important force in the united front of the left-wing literary and art circles in the 1930 s,and also promoted the gradual maturity of modern drama in the national crisis of China.
作者 杨念泽 蒋锐 YANG Nian-ze;JIANG Rui(School of Political Science and Public Administration,Shandong University,Jinan Shandong 250000,China)
出处 《齐齐哈尔大学学报(哲学社会科学版)》 2020年第9期122-126,共5页 Journal of Qiqihar University(Philosophy & Social Science Edition)
基金 教育部人文社会科学重点研究基地重大项目:世界社会主义格局变化与中国特色社会主义创新发展研究(18JJD710004)。
关键词 现代话剧 统一战线 剧联 左翼文化 modern drama the United Front Chinese Left-wing Dramatists’League left-wing culture
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