《名誉与恍惚》:互文阐释与历史叙事重构

Intertextual Interpretation and Historical Narration Reconstruction of Meiyo To Kokotsu

松浦寿辉的长篇巨著《名誉与恍惚》,以1937年到1939年日据时期的“魔都”上海为主舞台,描写了日本派驻上海共同租界工部局警官芹泽一郎,因受陆军参谋本部少佐嘉山清之托,介绍嘉山与上海帮会青帮头目萧炎彬会面而被逐出警察队伍,从此开启了其在异国他乡波澜壮阔的艰难生活的故事。本文以文学创作的互文性视点,发现作品中塑造的卷入东方战场的作品主人公芹泽的奋斗人生,与卷入西方战场的法国作家加缪的人生高度重合,而这种重合源于作者深厚的法国文学研究背景,更源于两人同样被卷入战争中的的相似命运。这种互文阐释还同样表现在作品历史叙事的时空重构上。作品通过这种历史叙事重构,引发人们对日本发动侵略战争的集体记忆,进而对当下日本的右倾思想进行警示。

Meiyo To Kokotsu is a magnum opus by Matsuura Hisaki,taking Shanghai as the main stage during the Japanese occupation period from 1937 to 1939,depicting the rough expelling life of a Japanese police officer of Japan’s Ministry stationed in Shanghai concession named Ichirou Serizawa after being expelled from the police force due to the meeting between Kiyoshi Kayama,the Shaozuo(a Japanese military rank)of the Army Staff Headquarters and Xiao Yanbin,the head of the Shanghai Green Gang,at the entrustment of Kiyoshi Kayama.From the perspective of intertextuality of literary creation,this paper finds that the struggle life of the protagonist Serozawa involved in the eastern battlefield,highly coincides with the life of Camus,the French writer involved in the western battlefield.This coincidence stems not only from the author’s profound research background of French literature,but also from the similar fate of life involved in the war.This intertextual interpretation is also reflected in the reconstruction of time and space in the historical narration of the works.This kind of historical narrative reconstruction warns the right deviation thought of Japan by triggering people’s collective memory of the war of aggression launched by Japan.