论《梁山伯与祝英台》的影视改编

On the Film and Television Adaptation of"Liang Shanbo and Zhu Yingtai"

受消费文化影响,现代人越来越需要音频、视频形式来吸取文化作品,即现代人不大有耐心来阅读一本文学名著。于是,越来越多的文学改编的影视作品被搬上银幕,但在改编的作品中质量参差不齐、鱼龙混杂,改编者心理浮躁也浪费一些优质的文学作品。在此大环境下,文学名著改编成影视作品是符合人们较浅层次的文化需要的,因此也有存在必然性。其中,笔者以中国古典名著《梁山伯与祝英台》为例,将故事情节以及核心内容,根据现有的影视改编作品分析其优点及不足。在梁祝的改编中,“泥古”是没有出路的,必须根据现代意识对其不断创新才是真正的发展之道。其次,题材形式的创新也是梁祝传说改编的另一个重要指南。

Affected by consumer culture,modern people increasingly need audio and video formats to absorb cultural works,that is,modern people do not have the patience to read a literary masterpiece.As a result,more and more literary adaptations of film and television works have been put on the screen,but the quality of the adapted works is uneven and mixed,and the adaptors are impetuous and waste some high-quality literary works.In this general environment,the adaptation of literary masterpieces into film and television works is in line with people's relatively shallow cultural needs,so there is inevitability.Among them,the author takes the classic Chinese classic"Liang Shanbo and Zhu Yingtai"as an example,and analyzes its advantages and disadvantages based on the existing film and television adaptations of the storyline and core content.In Liang Zhu’s adaptation,there is no way out for"Nigou",and continuous innovation must be based on modern consciousness to be the real way of development.Secondly,the innovation of the theme form is another important guide for the adaptation of the Legend of Liang Zhu.