关于戏剧性的再认识——兼与赵英晖、汪余礼等商榷

Rethinking Dramatic Art:a Response to ZHAO Ying-hui and WANG Yu-li’s Comments

赵英晖对董健和谭霈生关于戏剧性的理论的质疑存在诸多误解之处。逻辑上可以将戏剧性分内在戏剧性和外在戏剧性,但两者都必须借助对方才能得以实现,实际上只是同一戏剧性的两个不同方面。“案头之曲”和“场上之曲”以及戏剧的“两个生命”,可以视为“文学文本形态的戏剧”和“舞台表演形态的戏剧”,在此基础上就有了“文学构成中的戏剧性”和“舞台呈现中的戏剧性”。必须从客体与主体的关系中来考察戏剧性,戏剧性是用动作来展示的人的本质、本质力量或理想。

There are many misunderstandings in Zhao Yinghui’s doubts about Dong Jian’s and Tan Qisheng’s dramatic theories.In logic,dramatic art can be divided into internal dramatic art and external one,but neither of them can be realized without depending upon its counterpart.In fact,they are only two sides of the same coin.“Drama in book”and“drama in theater”as well as the“two lives”of drama can be regarded as“the drama in the form of literary text”and“the drama in the form of stage performance”,and on the basis of which,“the drama in literature”and“the drama on the stage”are presented.Dramatic art should be studied from the relationship between the object and the subject.By means of action,dramatic art displays nature,strength and ideal of human beings.