母性视角与父性视角下的童心烛照——冰心与丰子恺儿童散文创作的差异性分析

Childlike Candlelight from the Perspective of Motherhood and Fatherhood——Analysis of the Differences between Bing Xin and Feng Zi-kai's Children's Prose Creation

在中国现代儿童文学史上,冰心和丰子恺的儿童散文创作无疑是两座并峙的高峰。冰心是以母性的视角去关照童心的,她把天真烂漫的儿童看成是神圣的天使,承载着她"爱的哲学"的理想;而丰子恺是以父性视角去关注孩子的,他不仅对童心有细致入微的体察,而且在对童心的歌赞中常夹杂着童真易逝的哀叹,从而形成了他"童心崇拜"的儿童观。同样是对童心的礼赞和书写,由于出自不同的视角,他们的儿童散文创作在写作立场、儿童观、叙述方式方面都存在着明显差异。

In the history of modern Chinese children's literature,Bing Xin and Feng Zi-kai's creation of children's prose are undoubtedly two prominent peaks.Bing Xin cares about childlikeness from the perspective of motherhood.She regarded the innocent child as a sacred angel,carrying her ideal of"philosophy of love";and Feng Zi-kai paid attention to children from the perspective of fatherhood.He does not only have a meticulous perception of childlike innocence but also often laments the innocence of lamentation in his praise of childlike innocence,thus forming his view of children as a childlike worship.It is also a tribute and writing of childlike innocence.Because of their different perspectives,their children's prose creations have significant differences in their writing positions,children's views and narrative styles.