摘要
画家于会见带着艺术家的责任和情怀,以中州大地为背景,以风景叙事油画形式,把“鸟”“塔”等形象作为隐喻和象征符号,以超现实主义手法,表达了其内心对改革开放之后中国社会所发生的翻天覆地变化的颂扬。同时,其作品又体现出对当下自然生态恶化、文化生态异化的忧虑和纠结,以唤起民众的思考和重视。
With the artist's responsibility and feelings,taking Zhongzhou as the setting,Mr.Yu Huijian selected form of landscape narrative paintings and used the image as a metaphor and symbol,such as"bird"and"tower".In the meanwhile,through the technique of surrealism,Yu Huijian expressed his inner appreciation on earth-shaking changes in the society.His work also showed concerns about the natural ecological environment worsening and the cultural ecological alienation to arouse people's attention and reflection.
出处
《淮南师范学院学报》
2020年第4期122-126,共5页
Journal of Huainan Normal University
基金
安徽省高校人文社会科学研究重点项目“安徽当代写意油画地域特色及其审美研究”(SK2017A0514)。
关键词
于会见
生态
隐喻
象征
油画
Yu Huijian
Ecology
metaphor
symbol
oil painting