摘要
聊斋俚曲是蒲松龄的代表作之一,历经三百多年风雨,它的绝大部分曲牌也已失传。2006年聊斋俚曲入选第一批国家级非物质文化遗产,得到了重视与保护。在研究者前赴后继的努力下,部分曲牌“浮出水面”,聊斋俚曲渴望恢复原貌。作为非物质文化遗产,做好聊斋俚曲的传承工作很重要,而赋予聊斋俚曲新的形式和时代内涵的创新传承,才能保障聊斋俚曲更好的保存和发展。
Liaozhai folk songs are one of Pu Songling's representative works.After more than 300 years of trials and tribulations,most of its Qupai has been lost.In 2006,Liaozhai folk songs were selected into the first batch of national intangible cultural heritage,which was valued and protected.With the continuous efforts of researchers,some Qupai“surfaced”,and Liaozhai folk songs were eager to restore their original appearance.As an intangible cultural heritage,it is very important to do a good job in the inheritance of Liaozhai folk songs.Only by giving the new form and the innovative inheritance of the connotation of the times can we ensure the better preservation and development of Liaozhai folk songs.
作者
刘燕
LIU Yan(Zibo Museum,Shandong,Zibo 255035,China)
出处
《蒲松龄研究》
2020年第3期286-291,共6页
Study on Pu Songling
关键词
聊斋俚曲
创新传承
问题研究
Liaozhai folk songs
innovation and inheritance
problem research