摘要
《我不是药神》作为一部现实主义的商业片,以其“高于现实”的症候式呈现,深刻反映了创作者对社会现实的人文关怀与价值导向的追求。同时,影片聚焦真假抗癌药、情法冲突等反映社会发展不容忽视的重要命题,让主题重归人性之善与道德温情。文章从现实的改写、真假药博弈、情法冲突的戏剧性呈现三个方面挖掘影片的社会美学意义与现实指向价值。
As a realistic commercial film,Dying to Survive profoundly reflects the film makers’humanistic care and value-oriented pursuit by its symptomatic presentation in a way which is“higher than life”.At the same time,the film focuses on the genuine and fake anticarcinogenic drugs,the conflict between sensibility and law and other important assignable topics of social development for a returning to human goodness and moral warmth theme.This paper argues the social aesthetic significance and reality orientation value of the film from the three aspects of reworking reality,the game of genuine and fake medicines and the conflict of sensibility and law.
作者
戴庆
刘郁琪
DAI Qing;LIU Yu-qi(School of Humanities,Hunan University of Science and Technology,Xiangtan 411201,China)
出处
《白城师范学院学报》
2020年第4期42-47,共6页
Journal of Baicheng Normal University
基金
湖南省哲学社会科学基金基地项目(16JD23)。