从文质论看钟嵘《诗品》的诗学审美倾向

The Aesthetic Tendency of Chung Hung’s Shih-pin from the Perspective of Wen and Zhi

“文”与“质”是中国传统诗论中的两个重要概念,其含义在历经演变后成为了品人评诗的美学术语。钟嵘的《诗品》就将文质作为审美判断的核心标准,并且对诗歌风格偏向文雅典丽的诗人予以了更高的评价,或者可以说,从《诗品》对入选诗人的列品、点评、比较中可以看出,钟嵘是重文甚于重质的。通过厘清与文质相关的诸多概念,钟嵘《诗品》所体现的审美倾向更具典范性。

“Wen”and“Zhi”are two important concepts in the traditional Chinese poetics,whose meanings have undergone historical evolution and finally become aesthetic terms for the evaluation of poetry.Chung Hung’s Shih-p’in regards“Wen”and“Zhi”as the core standard of aesthetic judgment,and gives higher evaluation to poets whose poetic style seem more gorgeous.From the list,comments and comparison of selected poets in Shih-p’in,it can be seen that Chung Hung pays more attention to“Wen”than to“Zhi”.By clarifying many concepts related to the text,the aesthetic tendency embodied in Chung Hung’s Shih-p’in is more exemplary.