姚华赋论及其赋作研究

On Yao Hua’s Fu Theory and Fu Works

近代黔籍学者姚华不以辞赋著名,然其赋论与赋作颇值得今人关注。姚华赋论以文体为本位,体现出姚华敏锐独特的学术眼光。姚华赋作则彰显其精深通达的书画理论,传达作者诗、书、画相结合的艺术见解,折射出清末民初书画艺术家的矛盾与彷徨的心态。姚华赋为后人解读清末民初艺术人士特殊心态提供了一个具象参考。

Yao Hua,a scholar of Guizhou in modern times,is not famous for Fu,but his Fu Theory and Fu works deserve much attention.Yao Hua’s Fu Theory is based on stylistic style,which reflects his keen academic vision.Yao Hua’s Fu works show his profound theory of calligraphy and painting,which typically convey the author’s artistic insights of the combination of poem,calligraphy and painting,and also reflects the contradictory and unconventional mentality of painting and calligraphy artists in the late Qing Dynasty and the early Republic of China.From this perspective,Yao Hua’s Fu provides a concrete reference for Future generations to interpret the special mentality of artists in the late Qing Dynasty and early Republic of China.