农牧交汇、胡汉交融:鄂尔多斯高原凤凰山汉墓壁画再分析

Integration of Farming and Nomads Cultures:Re-analysis of Frescoes of Han Tomb in Fenghuangshan,Ordos Plateau

本文运用历年来最新研究成果汇总、描述了鄂尔多斯市鄂托克旗凤凰山汉墓壁画的形制、随葬品和壁画概况。深入分析了壁画所具有的题材内容涵盖天地、包罗万象,布局严谨有序、构图充满张力、气势,线条的流动飞扬和色彩的丰富热烈等绘画艺术特点。通过将鄂尔多斯高原的汉代历史与凤凰山汉墓的生动壁画内容结合起来分析,透析出壁画所反映的鄂尔多斯高原上东汉时期庄园经济发展状况、农耕经济与游牧经济交汇产生的宜农宜牧经济形态、南匈奴与汉族交往融合的社会民族状况等基本历史史实和社会发展特点,凸显了凤凰山汉墓壁画在鄂尔多斯高原乃至中国北方不可替代的重要历史、文物和艺术价值。

This paper uses the latest research results in the past years to summarize and describe the shape, structure, burial objects and general situation of the murals in the Han tomb in Fenghuangshan,ertok banner, ordos city. This paper deeply analyzes the painting artistic characteristics of the murals, such as the theme and content of the murals cover the world and everything, the layout is rigorous and orderly,the composition is full of tension and momentum, the flowing and flying lines and the rich and enthusiastic colors. By Fenghuangshan mountain with the ordos plateau of the Han Dynasty history writing vivid fresco content combined analysis, dialysis the ordos plateau during the eastern Han Dynasty paintings is a reflection of the manor economy development condition, farming and nomadic economy convergence is produced or economic form, south of exchanges between the Huns and the Han ethnic group fusion the basic historical facts such as social ethnic conditions and characteristics of social development, highlighted in the phoenix mountain in ordos plateau and north China irreplaceable important historical, cultural and artistic value.