摘要
19世纪至20世纪初期是西方现代艺术学学科的重要建设时期。在此期间,诞生了以柏林学派、莱比锡学派与维也纳学派为代表的德语国家学术群体,以及一系列具有批评性、原创性与建构性的思想观念,从而在反思传统研究范式的基础上,逐步建设起具有现代意义的艺术学学科,形成了以艺术科学理念为核心,以历史研究与理论研究为论域,以形式主义分析与图像学研究为基础方法论的新研究范式。这一历史进程不仅是西方学术史与思想史的重要篇章,而且它所建构起的艺术学研究的现代学术体系及其学理依据与知识谱系也成为当代中国艺术学学科建设的重要参照。
The period from the 19 th century to the early 20 th century was important for the construction of western modern art.During this period,the academic groups of German-speaking countries represented by the Berlin School,the Leipzig School and the Vienna School were born,as well as a series of critical,original and constructive ideas.Reflecting on traditional research paradigm,a discipline of art with modern significance has been gradually built,with the concept of art science as the core and historical and theoretical studies as the domain,forming a new research paradigm based on the methodology of formalist analysis and iconology.This historical process is an important chapter in the academic and ideological history of the West,and the modern academic system of art studies constructed by it and its theoretical basis and genealogy of knowledge have also become an important reference for the theoretical discipline construction of contemporary Chinese art studies.
作者
刘毅
LIU Yi(School of Art,Nanjing University,Nanjing 210046,China)
出处
《吉首大学学报(社会科学版)》
CSSCI
北大核心
2020年第4期124-131,共8页
Journal of Jishou University(Social Sciences)
基金
国家社会科学基金重大项目(17ZDA021)
国家社会科学基金艺术学青年项目(18CA164)。