摘要
波德莱尔以《恶之花》一部诗集拓宽西方审美领域开现代丑学之先声,地位极高。对其审丑思想的研究能弥补西方美学研究的不足,对艺术美学研究之静态化予以反拨,力促美学研究走向动态与多元。由此本文立足西方美学史视域,着重梳理西方丑之思想的发展脉络并分析波德莱尔的审丑立场及方法,从而总结出波德莱尔独特的审丑思想,即美在审美活动中、美的意义显现于审美关系中、美是即时性与历时性的统一的生命呈现。
Baudelaire used a collection of poems called"The Flower of Evil",broadening the aesthetic field of the West,becoming the forerunner of modern ugliness studies.Its research on its thought of appreciating ugliness can make up for the deficiency of western aesthetic research,and make research of aesthetics more dynamic.Based on western aesthetic history,this paper analyzes Baudelaire's position and method of appreciating ugliness,and concludes Baudelaire's unique thinking of appreciating ugliness,that is,beauty lies in aesthetic activities,the meaning of beauty lies in aesthetic relations,beauty is the unity of instant and diachronic life presentation.
作者
过嘉会
李志艳
GUO Jia-hui;LI Zhi-yan(Centre for Literary and Cultural Studies,School of Chinese Language&Literature,Nanning,Guangxi 530004)
出处
《牡丹江大学学报》
2020年第10期46-51,共6页
Journal of Mudanjiang University
关键词
波德莱尔
美
感性学
审美方法
Baudelaire
beauty
sensibility
aesthetic method