弥散与范型:徽州题材油画创作发展历程及认知形态

Dispersion and Paradigm:the Development Process and Cognitive Form of Huizhou Oil Painting

源自西方的油画在传入中国之后,始终存在着“本土化”的问题,也就是如何将中华民族的精神与气质融入油画创作之中,如何丰富油画语言使其更能适应中国特色审美要求。伴随着“本土化”进程的不断推进,徽州题材的油画创作展现出旺盛的生命力和充沛的创造力,其形态也处于不断的变化与重构之中。本文通过对历届全国美展及省展入选的徽州题材油画作品进行统计与分析,梳理徽州题材油画创作发展历程,并基于弥散与范型的理论模型,分析徽州题材油画创作认知形态,讨论认知形态对徽州题材油画创作的影响。

After the introduction of Western oil painting into China,there has always been a problem of“localization”,that is,how to integrate the spirit and temperament of the Chinese nation into the creation of oil painting,and how to enrich the oil painting language are problems which can better adapt to the aesthetic requirements of Chinese characteristics.With the continuous progress of“localization”,Huizhou oil painting shows great vitality and creativity,and its form is also in constant change and reconstruction.Based on the statistics and analysis of previous national and provincial exhibitions of oil paintings selected in Anhui Province,this paper combs the development process of Huizhou theme oil painting creation,analyzes the cognitive form of Huizhou theme oil painting creation based on the theoretical model of dispersion and model,and discusses the impact of cognitive form on Huizhou theme oil painting creation.