审美的否定辩证法:阿多诺音乐哲学的问题、表征及批判

Negative Dialectics of Aesthetic:On the Problems,Characterization and Critique of Adorno’s Philosophy of Music

西奥多·阿多诺(1903—1969)是法兰克福学派及西方马克思主义的重要代表人物之一。在阿多诺音乐哲学思想中,关于音乐与哲学、音乐与社会之间的关系问题以及音乐中蕴含的文化逻辑,为提升当代人们的审美境界、培养精神品格提供了丰富的理论素材和资源,也为当下哲学、社会学、音乐理论的研究提供了重要启示。对于阿多诺音乐哲学思想的研究,是对人类社会历史发展过程中精神文明发展历史的再审视,以其思想作为"历史之境"对于当今社会的文化现象仍然有着强大的解释力和现实意义。通过对其思想的客观分析和理性反思,在时代的语境中实现审美观念对社会现实的批判性和正确的价值引导。

Theodor Adorno is one of the most important representatives of Frankfurt School and Western Marxism.In Adorno’s philosophy of music,the relationship between music and philosophy,music and society,and the cultural logic contained in music those provide abundant theoretical materials and resources for enhancing the aesthetic realm of people and cultivating their spiritual character,and also provide the important enlightenment for the study of philosophy,sociology and music theory.The research of Adorno’s philosophy of music is a rethinking of the development history of spiritual civilization which in the historical development of human society.Taking Adorno’s thought as a"Historical Mirror"still has a strong explanatory power and practical significance for the cultural phenomena in today’s society.To realize the critical and correct value guidance of aesthetic concept to social reality in the context of the times,through the dialectical analysis and rational reflection of his thoughts.