论郑珍诗中的悲剧

On the Tragedy in Zheng Zhen’s Poems

郑珍的诗体现了悲剧美学的多重维度:他悲叹亲情与功名的矛盾,叔本华认为这种人的本质上和行动上要产生的、说不清谁对谁的错的悲剧是最可怕的悲剧,黑格尔把这定义为伦理力量冲突的悲剧;晚清的社会环境、动荡社会中儒家士子的价值矛盾、压迫剥削以及异化的人际关系,这些社会悲剧美学也都体现在了他的诗中;他的灾害诗表明社会悲剧是人与自然的悲剧的一大内因,灾害社会学和经济学、邓拓先生的历史统计都支持了这一悲剧性;和古希腊悲剧中与命运抗争的悲剧英雄一样,他想要超越命运,但偏偏被命运折磨得苦不堪言。

Zheng Zhen’s poems embody the multiple dimensions of tragic aesthetics:he laments the contradiction between family affection and fame.Schopenhauer thinks that the tragedy,which is produced by human nature and action and cant not tell right from wrong,is the most terrible tragedy.Hegel defines it as the tragedy of ethical conflict;the social environment of late Qing Dynasty,the value contradiction of Confucian scholars in turbulent society,the oppression and exploitation,and the alienated interpersonal relationship,these social tragedy aesthetics are also reflected in his poems;his disaster poems show that social tragedy is a major internal cause of the tragedy between man and nature,which is supported by disaster sociology,economics and historical statistics of Mr.Deng Tuo.Like the tragic heroes in ancient Greek tragedies who fight against fate,he wante to transcend fate,but is tortured by fate.