摘要
东海大学于20世纪50年代创建于台湾省台中市西郊大肚山之上,其设计者为陈其宽、张肇康与贝聿铭先生。在创校之初嫁接于大肚山之上兴建的几组"合院式"建筑群成了当时最具现代主义倾向的地域设计实验。本文借由东海大学"合院式"空间的积淀与遗留,旨在勾勒一种理想中的现代空间原型,它并非传统意义上院落形制的历史语境,更非明清文人沉溺的园林趣味,它重构的是"人"和"地景",就如同现代失语者在幻想中传神的交契,空间中本已沉入定式的套路就具有了陌生且灵动的开放感。
Tunghai University was founded in the 1950 s on the Datu Mountain in the western suburbs of Taichung,Taiwan.The designers were Chen Qikuan,Zhang Zhaokang and Ieoh Ming Pei.At the beginning of the school,several courtyard builds grafted on the Dadu Mountain became the most modemist regional design experiment at that time.Based on Tunghai Univsersity courtyard space design thinking,this paper aims to draw the outline of a new ideal modern space prototype.It is not a courtyard traditional design or Ming Qing literati gardens,which aim to refactor relationship between people and landscape.Just as modern aphasia communicates with each other in fantasy,the routine that has been sunk into the space has a strange and smart openness.
作者
李云琦
LI Yunqi(College of Art and Design,Fuzhou University of International Studies and Trade,Fuzhou,Ftyian,350200)
出处
《艺术生活》
2020年第2期44-51,共8页
Art & Life
关键词
东海大学
合院式空间
现代主义建筑
陈其宽
张肇康
Tunghai University
courtyard space
modernist architecture
CHEN Qikuan
ZHANG Zhaokang