摘要
雍正以迄乾隆朝的浙地诗坛上,法宋的浙诗派大行其道。然而王琦依然在《李太白诗集注》《李长吉歌诗汇解》中表现出明显的宗唐倾向:在前人众多的集子中,他选了两个唐人的集子作为注释对象;在注本中,他以“味”为诗美理想,而其对诗“味”的理解颇近唐诗审美趣味;他还主张诗好自然,不喜雕琢。究其原因,一是宗唐派对他的影响,二是康熙中期以后,尽管仍然存在倾向性十分明显的偏好唐音或者偏好宋调两个阵营,但在很多人的诗论中或多或少地出现了折衷唐宋的因子,唐宋诗之争趋于缓和与理性。
Zhejiang poetry school which preferred Song Dynasty style occupied a leading place in Zhejiang poets’circle from Yongzheng period to Qianlong period of Qing Dynasty.However,Wang Qi still shows an obvious tendency to prefer Tang Dynasty poetry style in the Notes to Li Taibai’s Poetry and Li Changji’s Collection of Poems:among the numerous collections of predecessors,he chose the two collections of Tang poets as the object of annotation;in his notes,he took“taste”as the ideal of poetic aesthetics,and his understanding of poetic“taste”was quite close to the aesthetic taste of Tang poetry;he also advocated that poetry should be natural rather than carved.There are two reasons for this:one is the influence of the Tang School;the other is that after the mid-Kangxi period,although there are still two camps with obvious preference for Tang poetic style and Song poetic style,there are more or less compromise factors in many people’s poetics,and the dispute tends to be moderate and rational.
出处
《华侨大学学报(哲学社会科学版)》
CSSCI
北大核心
2020年第5期136-148,共13页
Journal of Huaqiao University(Philosophy & Social Sciences)
基金
福建省社会科学规划项目(FJ2018B121)
华侨大学青年学者成长工程(18SKGC-QT04)
国家留学基金委员会青年骨干教师出国研究项目。
关键词
王琦
宗唐诗学
浙诗派
Wang Qi
preference to Tang Dynasty poetry style
Zhejiang poetry school