“拟古诗”:吴兴华对新诗的焦虑与期待

“Poems Mimicking Classic Styles”:WU Xinghua’s Anxiety and Expectation for New Poetry

吴兴华是一位一度被深深遗忘,又一度被高高举起的诗人,他作为诗人身份的遭际本身就可以引发出很多研究话题。本论文以吴兴华的“拟古诗”为中心,探讨“绝句”“古题新咏”两种诗体的诗艺特征及得失,兼及讨论吴兴华对新诗的失望、焦虑与期待,以及他提出的诗歌“形式”决定论的观点内涵及影响,从吴兴华的“拟古诗”和“形式决定论”的诗学观,考察1940年代中国诗歌的多样性与复杂性。

Once deeply forgotten and then held high up,WU Xinghua’s personal experience as a poet itself results in various research issues.Focusing on WU Xinghua’s“poems mimicking classic styles”,this paper discusses the poetic characteristics,pros and cons of two poetic forms,namely,“Chinese quatrain”and“classical topics re-interpreted”.It also discusses WU Xinghua’s disappointment,anxiety and expectation for new poetry,as well as the connotation and influence of his“formalism in poetry”.This paper then inspects the diversity and complexity of Chinese poetry in the 1940s,from Wu Xinghua’s poetic views of“poems mimicking classic styles”and“formalism in poetry”.