摘要
陶瓷文化资源丰富,多样化的陶瓷文化形态在世界地理版图中构造出一幅脉络清晰的文化地图,其中琉璃釉艺术形态在地域间流动既呈现独特性又具有内在联系与融合,形成特定文化空间。地理学研究中的文化转向对于陶瓷釉学的研究介入空间维度,关注民族、家族、信仰、风俗、制度等在地域之间的流变和相互联系,为古老的陶瓷釉文化研究拓新了方法。文章通过对琉璃釉的溯源、工艺衍生研究,在文化景观表征线索中进行梳理,递进式地探究了在地理传播过程中建筑琉璃构件釉面技艺中的铅锡釉艺术的衍生和发展。
Ceramic cultural resources are abundant,and diversified ceramic cultural forms form a clear cultural map on the geographical map of the world.Among them,the art form of Colored lead glaze changes in different regions,showing both uniqueness and internal connection and integration,forming a specific cultural space.The cultural turn in the study of geography involves the spatial dimension in the study of ceramic glaze,and pays attention to the changes and interrelations among different regions,such as nationality,family,belief,custom and system,which provides a new method for the study of ancient ceramic glaze culture.In this paper,through the research on the origin and technology derivation of colored lead glaze,combing the clues of cultural landscape representation,and exploring the derivative development of lead tin glaze art in the process of geographical communication.
作者
陈健
董金鑫
王琼
Chen Jian;Dong Jinxin;Wang Qiong
出处
《建筑与文化》
2020年第10期216-218,共3页
Architecture & Culture
基金
中央高校基本科研业务费资助(项目编号:DUT19RW217)。
关键词
建筑琉璃构件
琉璃釉
锡釉
埃及费昂斯彩陶
文化地理
architectural glass components
colored lead glaze
tin glaze
Egyptian Faience
cultural geography